'The Many Lives of Family Photographs' in partnership with Professor Gil Pasternak and Dudley College.

As part of our ACE-funded work, BCVA is proud to be partnering once again with Professor Gil Pasternak of De Montfort University, Leicester, alongside Year 2 photography students from Dudley College.

This project explores the many lives of family photographs through archive, collections, portraiture, and oral history. Working collectively, students are gathering family images, making new portraits, and recording oral histories that reveal the personal, cultural, and historical value of everyday photographs. In doing so, the project encourages students to think more deeply about memory, identity, belonging, and the role photography plays in preserving lived experience.

As vernacular photography is not normally taught during the two years of the students’ course, this project offers a valuable opportunity to engage with an important but often overlooked area of photographic practice. At a key stage in their development, particularly as many prepare to progress into further study, the project broadens their understanding of photography as both an artistic and socially meaningful medium.

The project also reflects BCVA’s wider commitment to working with communities whose histories, family collections, and visual cultures are too often overlooked within mainstream narratives. By encouraging students to work with family images and oral testimony, the project helps connect personal stories to wider questions of heritage, representation, and cultural memory.

The students have received world-class teaching from Professor Gil Pasternak, a leading authority in the field and, in our view, one of the very best in the country. His involvement has brought real depth to the project, helping students to consider family photographs not simply as private keepsakes, but as important social and historical documents.

The work produced by the students will be brought together in a book at the end of the project, creating a lasting outcome that celebrates their learning and preserves the stories and images they have explored.

Professor Gil Pasternak start to teach about family Photography in accordance with BCVA’s work with Dudley College students. IMAGE ©BCVA (An Arts Council Funded project)

Students work in small groups and discuss the stories behind the images with their own family images following a when ,where , who what format for discovery on family history. IMAGE ©BCVA (An Arts Council Funded project)

Students feedback further into a second workshop with Gil Pasternak after work on recreating images for the present day based on their family images from the past. IMAGE ©BCVA (An Arts Council Funded project)

Early Years Colouring Book on Punjabi Migration Using Images from the Apna Heritage Archive

One of the major reasons for building the archive was to ensure that the stories and images of the first generation of Punjabi migrants to the Black Country could be recognised, celebrated, and shared with younger generations. Their tenacity, courage, and hard work in building new lives in the region deserve to be honoured and remembered.

To help us achieve this, we have commissioned artists to develop an early years colouring book inspired by images from the Apna Heritage Archive. The aim is to create an accessible and engaging resource that introduces young children to Punjabi migration history through art, storytelling, and visual culture.

We are delighted to be working with the brilliant artist Suman Johal of ArtSikh, whose work is already bringing this idea to life with great care and creativity. As the examples show, she is applying her skills beautifully to the project.

The colouring book will become a valuable educational tool, which we are currently piloting with first-generation Punjabis who arrived in the 1960s, as well as with parents and early years Punjabi children, in order to gather feedback.

Our aim is to distribute the book strategically across the Black Country in support of our wider creative and heritage goals, helping the archive remain a living resource within the community.

A couple of examples from the Apna Heritage Archive for a new educational colouring book for early years group about Punjabi Migration to the Black Country. ©Suman Johal and Black Country Visual arts. Made possible by Arts Council England

Photography & Culture Magazine: A Photographic Journey through History, Cultures and Digital Technology

The feature explores the wider context of Punjabi migration to the Black Country at a time of racial tension in the region, alongside the research and collection methods behind the archive itself. It also reflects on the impact of bringing photographs from personal and family environments into public space through a digital archive, where they can be understood not only as private keepsakes, but also as socially and culturally important historical sources.

This recognition highlights the significance of the Apna Heritage Archive both as a community-led body of work and as an important contribution to wider conversations around photography, heritage, migration, and digital cultural memory.

Here is a short video introducing our feature in the journal.

Special thanks go to Professor Gil Pasternak, who has become an encouraging and valued supporter of the archive here in the UK.

A BCVA project achieved through Arts Council England funding

‘Our Commonwealth’ Portraits Commissioned by Living Memory and Sandwell Council for the Commonwealth Games

Anand Chhabra has been commissioned to create a series of portraits for Our Commonwealth, a project developed by Living Memory and Sandwell Council as part of the Commonwealth Games.

The portraits celebrate individuals and groups who have been nominated by their communities as local champions, recognised for the dedicated and selfless service they give to others. Through this commission, the artist has photographed people whose contribution often goes unseen, yet who make a meaningful difference every day in the lives of those around them.

The resulting series of portraits is quiet, dignified, and reflective, capturing something of the humility and strength of those represented. In meeting and photographing the participants, the artist has encountered some truly remarkable and generous individuals.

The work will be shown at a number of venues across Sandwell, selected by Geoff Broadway of the Living Memory project, as part of celebrations honouring these community heroes during June 2022.

Inset Karl Blick aka ‘Mr Smethwick’ who has done amazing work in schools around issues of bullying and mental health. Karl is an ardent member of a Rugby Club and used to walk past the Brasshouse Pump Rooms in Smethwick every time he played as child in a park nearby. © Anand Chhabra

Photographic Digital Heritage: 'Institutions, Communities and The Political' October 19th-20th Livestream conference

We were delighted to be invited to speak at another conference organised by Professor Gil Pasternak of De Montfort University, Leicester, in conjunction with the National Trust. The event, Photographic Digital Heritage: Institutions, Communities and the Political, was livestreamed on 19–20 October 2021.

As part of the programme, BCVA contributed a talk on Punjabi Migration to the Black Country: A Photographic Journey through History, Cultures and Digital Technology. Our Director’s contribution can be viewed at 27mins:20secs into the video.

More about the event below:-

The conference explored how digital technology, and digitisation in particular, has transformed the ways in which historical photographs connected to cultural heritage are collected, interpreted, and used. It examined the role of formal heritage and memory institutions in driving this process, the ways communities have navigated their own aspirations around digitisation, and how political interests can shape the meanings and uses of photographic heritage.

More broadly, the event considered the long relationship between photography and heritage, showing how this connection existed well before the rise of digital technology and has played a major role in shaping heritage practice. It also addressed key questions around provenance, cataloguing, dematerialisation, and the possible loss or transformation of historical meaning when analogue photographic collections are converted into digital archives.

By bringing together photography and heritage scholars, policymakers, and community organisers, the conference opened up important discussion about the political dimensions of photographic digital heritage, particularly in social settings where questions of identity, representation, and power can become highly contested.

Speakers also considered interrelated topics, including:

• the influence that photographic digitisation practices have exerted on definitions of heritage assets;

• the effect of photographic digitisation on institutional practices and policies;

• uses of photographic digital heritage for community building and activism;

• the employment of photographic digital heritage by governing powers;

• and the effect of photographic digital heritage on social and inter-generational communications about history, memory and the past.




Peckham 24 : ARCHIVAL SOLIDARITY: BUILDING AND (RE)ACTIVATING ARCHIVES Sunday 12 September 16:30 - 17:30

Peckham 24 is a not-for-profit festival founded in 2016 by curator Vivienne Gamble and artist Jo Dennis, with a strong focus on new talent and experimental artists working with photography.

The 2021 programme was developed in response to the waves of protest and public demonstration witnessed around the world during the lockdowns of 2020. Through exhibitions and live events specially programmed for the festival, Peckham 24 created space for urgent reflection on some of the most pressing global issues of our time.

We were delighted to be invited to take part in the panel Archival Solidarity: Building and (Re)Activating Archives, alongside Sunil Shah and Pablo Lerma.

Bringing together a range of perspectives, the panel explored the role that visual archives can play in building solidarity through archive-making, archival activation, and public engagement. The discussion moved across different contexts, from challenging performative ideas of queerness, to collectively exploring personal and shared histories and identities, to reflecting on the collective memories and documents of Punjabi migration to the city of Wolverhampton.

Venue: SUNSET STUDIOS, Studio ONE, Bussey Building

Instagram Takeover for Apna Heritage Archive @ The Photographers’ Gallery — 6–9 August 2021

The Photographers’ Gallery in London, the first public gallery in the UK devoted solely to photography, invited Apna Heritage Archive to take over its Instagram account from 6–9 August 2021.

It was a huge honour to share the project with the Gallery’s wide audience and to bring greater attention to the stories held within the archive. Across 11 photographs and accompanying texts, we explored themes of transnational migration, memory, displacement, and belonging through the untold stories behind the images.

The takeover offered an opportunity to introduce new audiences to the history of Punjabi migration to Wolverhampton, using family photographs and personal stories to reflect on heritage, identity, and lived experience.

See and read more about the untold stories of Punjabi migration to Wolverhampton here

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Historic England’s 'Heritage Calling' Blog for South Asian History Month

t was a great privilege to be invited to write for Heritage Calling, Historic England’s blog, as part of its contribution to South Asian History Month.

In the piece, we were able to connect the Apna Heritage Archive with our wider work on Punjabi workers and Desi pubs, bringing these strands together through a shared story of migration, labour, community, and place.

The blog reflects on the arrival of Punjabi communities in the region, the hostility and opposition that often accompanied mass migration, and the ways in which people built lives, relationships, and a sense of belonging over time. It also considers the relative harmony of the Punjabi community in Wolverhampton today, while recognising the historical struggles that shaped that journey. read more abut it here:- https://heritagecalling.com/2021/08/12/a-photographic-journey-of-punjabi-migration-to-the-black-country/

SUPNAA Wins Award at FORMAT Festival Again, with Representation on the Spectrum Photo Blog

For the second year in a row, BCVA Director Anand Chhabra’s work was recognised with an award at FORMAT Festival. This time, the award came from Spectrum Photo, who selected the project as part of their judging for the FORMAT 2021 online portfolios.

The previous year, Anand received a multimedia presentation award from Daylight Books, making this a particularly encouraging continuation of recognition for the work.

As part of this year’s award, Spectrum Photo featured the project on its blog and also produced 20x24 prints. This is especially meaningful recognition, as Spectrum Photo is widely respected for its high-quality printing and its work with serious photographers, artists, and curators.

It is encouraging to see the work continue to gain visibility in this way, helping BCVA further its wider aim of sharing the stories of Black and Asian communities in the Black Country with broader audiences.:_ https://tinyurl.com/yfvnfhyd

PSLV model from Supnaa : Dreams of our Fathers ©Anand Chhabra

PSLV model from Supnaa : Dreams of our Fathers ©Anand Chhabra

Race, Art, Activism Seminar : Black & Asian Photography Archives

The speakers for our final seminar on this project are Tarla Patel and Vanley Burke. The event is funded by Heritage Lottery Fund and is chaired by Black Country Visual Arts director Jagdish Patel.  

Tarla Patel

Tarla is a visual artist based in Coventry, recently completing an MA in Contemporary Arts at Coventry University in 2019. Tarla’s work explores identity, memory and space through migration and storytelling. Patel is the legacy holder of her father’s photography by the Masterji Archive, which was part of the successful Coventry City of Culture launch. The photographs document migrants especially from the South Asian community in post war Coventry from the 1950s to year 2000. Published Masterji (2017). 

 Vanley Burke

 Vanley was born in Jamaica and arrived in Birmingham in 1965 aged 15. Here he began photographing the lives and experiences of the African Caribbean community. He is often described as the ‘Godfather of Black British Photography’, whereby his iconic images have captured the evolving cultural landscape, social change and stimulated debate in the United Kingdom over the past four decades. He draws strength from remaining a humble man of the community, whose personable character allows him to capture the intimate and private nature of people’s everyday lives.

 

Race, Art, Activism Seminar: The Polemics of a Punjabi Photographic Archive

In this talk Black Country Director Anand Chhabra presents on the Punjabi Community in the city of Wolverhampton which makes up some 40,000 people. Most of these people  migrated between 1960s-1980s. Largely focussing upon their formative years and their positive impact into the life of the City, the talk will be accompanied through the historical photographs documented by their work, business, social life, engaging with traditional & cultural life of the wider community. This talk covers the context of the post war period of migration, political opposition from local politicians in the Black Country inciting intolerance and in many cases violence. Anand will show the positive impact on Punjabi’s in the city that as one travels through the Wolverhampton there is large scale support for the migrant community through its Desi Pubs, Indian shops and local music. 

 The Race, Art, Activism project is a Heritage Lottery Funded project. 

 

SUPNAA : Dreams of our Fathers now showing in 3D FORMAT '21 March 12th - April 11th 2021

‘The show must go on’ to use a well worn cliche is certainly applicable to the FORMAT team this year while we are all in Lockdown. They have brilliantly put together a 3D exhibition with this years theme of ‘CONTROL’. There are 20 rooms of exhibitions from various photographers from around the world. Director and Artist at BCVA Anand Chhabra is showing the SUPNAA: ‘Dreams of our Fathers’ (ACE funded work ) in ROOM 18. Also showing is our ReFramed bursary recipients and workshop attendees in the same ROOM! Fantastic! This surely is an experience that in fact has opened more doors internationally to see work chosen for this years exhibtion. I feel privileged and thankful to my colleague Sebah Chaudhry who encouraged me to apply to the festival and also to Director of Format Louise Fedotov-Clements. Special thanks to Laura O’ Leary who helped co-curate the work! Its advisable to view the work via Google Chrome for best experience (IMO) Go here to see this years festival! https://format.newart.city Anand won another award this year from SPECTRUM (last year he received the Multimedia award from DaylightBooks in New York) but more about that later in May this year!

Opportunities for Black, Asian & other POC artists to work on High Streets commission & ReFramed network.

ReFramed (reframed.uk) have been assigned a role within a national partnership of photo organisations who have been commissioned by Historic England as part of their work to regenerate ailing high streets all over England. Picturing England’s High Street is a three year project which will deliver six photographer-in-residence programmes at six high street locations across England, as well as artist mentoring and a digital nationwide mass participation project. We are keen to support our partners that will ensure opportunities are available for POC photographers and successful applicants will have the opportunity to be mentored as part of the project by the ReFramed team. More about the opportunities and how to apply please here on Photoworks website:-

https://photoworks.org.uk/news/first-details-of-our-new-partnership-with-historic-england-revealed/

Piara Hayre (centre) with relatives one of early South Asian shopkeepers stands outside his shop in Wolverhampton c1961. Image courtesy of Black Country Visual Arts (© Apna Heritage Archive)

Piara Hayre (centre) with relatives one of early South Asian shopkeepers stands outside his shop in Wolverhampton c1961. Image courtesy of Black Country Visual Arts (© Apna Heritage Archive)

Article heralding the forthcoming FORMAT '21 photography FESTIVAL next week!

Great article on Instagram regarding the forthcoming 3D exhibit online at this years FORAMT ‘21. Its going to be great as FORMAt doesn't do things by halves and will be one to remember in the light of the present darkness with COVID-19. The opening image on the article roll on Instagram will be director’s Anand Chhabra’s image from the work he is exhibiting at FORMAT this year which has a them of CONTROL. There will be lots of activities and amazing international work to see from various photographers around the world! Find out more about Anand’s work in ROOM 18 online here:- https://formatfestival.com

BCVA commissioned book launch for ReFramed, 'The Travelling World is not Arriving' .

Having founded our sister organisation specifically for BIPOC photographers and artists in the Midlands in February 2020. We were very fortunate to have 3 additional bursaries added to the 2 which were granted by the Arts Council. These have come by way of generosity from organisations across the Midlands like Kalaphool, Birmingham University & New Art Exchange. And so we got our first project underway called the Digital Diaspora : COVID-19 Midlands. Along with our 5 bursary recipients and 9 participants from our 9 week ReFramed workshop attendees, we began to document the disproportionate effects of the disease on BIPOC communities which feature themes of loneliness, isolation, faith, loss of income, lockdown upon them during these strange times. The outcome after mentoring by ReFramed is a fantastically curated 75 page book (arranged by our director Sebah Chaudhry) Its out any day now here’s a few double pages to show you a sneak peak of some of their brilliant work.

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SUPNAA : Dreams of our Fathers exhibition at FORMAT'21 UK's biggest Photo Festival - Press Launch

A great honour for director Anand Chhabra SUPNAA : Dreams of our Fathers for FORMAT’21 exhibtion (ACE funded). The FORMAT organisers really know how to put on a show (even online!). Following the award Anand received from Daylight books in New York at FORMAT ‘20 Portfolio Review. (A massive shout out to new BCVA director Sebah Chaudhry for encouraging the work to be showcased at the portfolio review!) The work focusses on Anand Chhabra’s parents and the formative years of migration to the UK 1960-90s. Using dream like imagery Anand creates a narrative for the untold story of Punjabi Migrants in Wolverhampton a city with the largest number of Punjabi’s outside London (40,000). You can see the press launch with Anand’s work featured at the beginning of their multimedia film on the theme of control. Due to COVID -19 the physical exhibition will be available later in the year along with a community outreach programme and tours and there will be a unique 3D fly through of Anand’s work to be seen from March 12th 2021.

Small Axe - On the set of Oscar Winning director Steve McQueen's series now streaming on BBC iplayer

Small Axe is a series that looks at life growing up in the 1970s-80s and depicts the realities of life and racial hatred from the public and authorities against People of Colour. Steve McQueen has done a great job of retelling these stories of real life people through his series which is now available for streaming on BBC iplayer. Director Anand Chhabra saw at first hand the production in November 2019 in his images below of the ‘Red, White and Blue story of Leroy Logan on set. Leroy was a pioneering Black people officer who tried to make changes within the force and was subject to a lot of racial hatred within the police force. The actor John Boyega brilliantly assumes his role. This film is very much in line with our own projects retelling history which you will see here as we retell the stories of Black & Asian and people of colour.

Oscar winning Director Steve McQueen on set of Red, White and Blue © Anand Chhabra

Oscar winning Director Steve McQueen on set of Red, White and Blue © Anand Chhabra

Actor plays a young Leroy Logan being harassed by policemen on the set of ‘Red, White and Blue’ ©Anand Chhabra

Actor plays a young Leroy Logan being harassed by policemen on the set of ‘Red, White and Blue’ ©Anand Chhabra

FormatFestival - Instagram takeover for SUPNAA: Dreams of our Fathers OCT 26-30 2020

It was a great pleasure for Anand Chhabra director of BCVA to be invited by FORMAT FESTIVAL team to takeover their Instagram page for the last week of October. The invitation was for all recipients of various awards given at FORMAT ‘20 portfolio reviews this year. SUPNAA received the award for a Multimedia presentation production via Daylight Books from New York and if you scroll below on this blog page you’ll see the AV presentation. During this week Anand will be largely creating narrative about how he is constructing a body of work that communicates story of their migration and the tension of their formative years.

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